POETRY - {index of obsolescent ideas:}
Might be captivation------------------------------FASCINATION /
Metal scrapping on feng shui--------------------ZEN TECHNO /
Artificial life [captivation again in the shades of phrases, obsessions, biographies;]
or the
Introducing of ideas [subjectivism = alienation of reality;] lofty; distant.
and of particular oddity (dream thinking, abusive order of logic) - ORPHEUS* and its MYTHS.
A BOOK OF ANACHRONISMS: The music of Johan Sebastian Bach sounds strange in space. Vater Unser Im Himmerlreich Freut Euch, WAS DANCING NAKED, THE LITTLE BREASTS PULSATING IN THE WARM AND RAISINS, THE BEATING OF DRUMS – ALL AT ONCE, THE MEMORIES OF GOLDEN FAREWELLS. (These words don’t make any sense. Like everything else in this HORIZON. I REALISED THE EYES BEHIND THE SCROLL FOLDING WERE Classical music from centuries ago. But he made me listen to Indian and Tibetan music and I found COLOURS, A MAZE OF INDECIPHERABLE PLAN – CHANGES GIVEN FORM
FUTURE GATES
And everything that he had seen and felt danced in front of his eyes. Outside, he could see through the window, the sun was rising behind the mountains, and he said to himself:
SINGING MY NAME SLOWLY, IN A MOROCCAN ALIKE LULLABY, THE VOICE shit, I’m tired, leave me alone, FUCK.
TRUST THE DJ
THIS IMAGINED OASIS OF SINGING NAKED GODDESSES AND FOLDING.
You refuse to mix, why?
EXAMPLE (from Aeschylus’ ‘Agamemnon’)
Eyes brimming with condolence
Where no true sting of sorrow pricks the heart,
So now some harsh embittered faces, forced
Into a seemly smile, will welcome you,
And hide the hearts of traitors
Beneath their feigned rejoicing.
STATING:
Psychological dimension +
Myth (mythology) +
Stance + Political and Human Scale +
Collective Rules +
Form + Images +
Autochthonous origins.
HERE THE POEM SHOULD START, crucial link between the technique and the EROS surveying the layers of what the author wants to communicate. Something about the Roman Catholic Church should be explained at once, preciousness; this in order to reveal the apparent paradoxes (transcribe some folklore amalgamations, werewolves, homosexuals, aristocrats, even the presence of a God. A distant ancient art form, copulation COLLECTIVE SCHIZOPHRENIA + a taste of blood.)
[… written things are written things to be read. To be printed and read. A writer’s a writer, the one who writes, the one who uncovers the mysteries of oneself and wonders at it, not himself, but at the words of surreal life, the unsurpassed love for signs and enigmas written to be read… op. ct.]
THE METRONOMIC QUALITIES OF LIFE, WHERE IS THE BARD?
MAKES NO SENSE DETERIORATING LET’S TALK OF LABYRINTHS
COMPLETELY ABSURDITY * LABORIOSA AD ENTRANDUM MORTUARY TEMPLE SOS (+) LABORIOUS EXITUS DOMUS
SPONTANEOUS PERCEPTION A WHITE FILM
SCHEMATA OF PAIN A WHITE PALER HOUSE
TO BE IMPRISONED IN
• A LAUGH
• CARDIAC ARREST
• PARADOX OF SORTS
• EIDETIC RECOLLECTIONS
• A STILL LAKE
• A DRUM,
• MATRIX OF LEAVES / DREAMS
• AN ECHO
VOCABULARY OF KNOTS
HAS TO BE THE WEIRDEST
OTHER SIDE OF GLASS (+)
TO REACH THE CENTRE
UNTHINKABLE
SELF /.
4. > RENIFORM PULS (section 1)
/ let’s decorate tomorrow, sheathe it with sterling pounds bank notes and settle anywhere, drink Egyptian black coffee, hieroglyphic beverage of kings, let’s decipher the empire and collect materials for our excuse, raise your right hand and heil to the present cancer, all tomorrow parties under the pure flame of stars, let’s break beautiful statues of gods, let’s break all the isms, let’s be modern! We are ripe and ready to die for the nation, the symbols and our faith. Long live the sterling pound and the dollar! / from a fascist manifesto, 1935.
/ BLUE DANCE KIDS PIERCING VIOLETS CRAZILY ON A DREAM like house luminous blue dance kids, unclothed smiles and nothing but a palimpsest of joy violet dance kids remembering cunningham’s silence or a cage interlude violet dance ephebes pulling branches riding glittering horses on spring moon dance boys of gold pubescent genitalia adoring Bacchus and phallus – parenthesis: burroughs on a street of london through the invisible lens of the snake jarman’s hold, shattered glass blood shit cut-up reality, medusa’s head, ivy dipping dope, slit wrists, scrying sages on a black alley, the screeching of homey and rum on some sailor’s crotch, oh, oh, vidal smiles and smokes a cigarette (around 1948 in paris), almada’s nakedness on a pedestal rising pederast narcissus of egypt and wooed by imbeciles, reflexes on the river’s muddy waters balancing dreams and forgotten flames [enters orpheus crying for a lost Clepsydra:]
/ the end of a story wandering (or wondering?) immortal flesh proud in sorrow praises of liars twilight of desires, flesh immeasurable HEAVENS… / gold dance men kissing cocteau’s mirrors on a bright garden of silence golden dancing satyr fornicating ariel’s oak quietly startled. / black nubian dance man erecting genitalia ejaculating stars, black egyptian god dancing around a fire of flying poems: I salute the foolish man and woman, ashes of ashes! / obliterating the angels oh, what a strange ADAGIO depending on laughter and a queue of symbols forced upon one, what a strange oblivion, TRANSFORMATION
TRANS
FORM
ACTION a machine destroying time! / typewriting the future. /
• Differentia - a distinguishing mask, especially between species within a genus;
• Dementia – a not very well distinguishable mask among humans;
• ALL SYSTEMS GO;
• Imperfect Objective - deletion with the sharp blades of thinking all the words inscribed in the skin with fire;
• Nothing can be invoked;
• To nominate is an Art.
• A fork is a fork, a stone a stone, a fire a fire.
thy cataloguists, 2005
adenda 1
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